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I started out life as a long-haired guitar player who wasn't
satisfied with the sounds he could get.
I started modifying guitars, and then I got into amplifiers and
speakers. I then went to college to study electronics, and at that
time I built organs and synthesizers. When I graduated, I started
building consoles, and I founded the AMEK company with Nick Franks in
September 1973.
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At that time 16-track recording was state-of-the-art, basic console
automation was becoming possible and desktop computing did not exist.
Things have moved very far and very fast in the past 20 years, and
AMEK has been deeply involved in that development process.
Historically, we designed and produced the X-Series; the M-Series;
2016; M2500; ANGELA; APC1000; G2520; MOZART; HENDRIX and EINSTEIN,
not even counting the TAC range. This means that we have built and
delivered thousands of recording consoles. Over the years a mountain
of hits have been recorded on AMEK.
Our current product range is a distillation of all that knowledge and
experience. It summarizes concepts in recording consoles which have
been developed throughout this 20-year historical period.
Graham Langley 1998
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Whenever the music starts, whether it's live or recorded, chances
are good that Harman products are enhancing the experience.
In fact, wherever music is being made, recorded, broadcast or
listened to, Harman leads the way in shaping the sound.
Harman recording and broadcast products bring you the music, capturing
and enhancing performances and sending it to you in radio and TV
broadcasts.
Harman products help manage the production process for music and
movie sound in nearly seven out of every ten recording and editing
studios. In fact, Harman brands dominate the audio profession. Before
any mix is transferred to tape anywhere in the world today, the audio
was probably managed by Harman resources.
www.Harman.com 1998
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Audio designers have always found that there is a big difference
between a satisfactory working model or prototype and a 'production'
unit made in quantity by the factory.
In my early days this problem was solved by having teams of
engineers who were essentially building prototypes for sale.
As demand grew it became impractical to expand such a system but I
soon discovered that standard manufacturing techniques just do not
work when dealing with very high performance audio. It looks easy -
but it's very difficult. I often wished I knew someone who could turn
my designs into a manufactured product without the enormous costs and
low efficiency I was experiencing and who could yet maintain the
meticulous performance I was achieving in the design lab. In 1989
Amek made me the kind of offer design engineers dream about. "Just
design! You have carte blanche. Leave the business and production
side to us"
Since then we have gone from strength to strength. Amek have no secret
agenda. They just want the best at a price that is affordable. The
new family of System 9098 products satisfies my requirements and
judging from the response of the many owners around the world,
satisfies theirs as well.
Rupert Neve 1997
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